How has nature been depicted in literature, and what does that say about the relationship between people and the environment? The class will begin by establishing where each of us stands philosophically on ethical, ontological and epistemological questions about the environment (e.g., Do you look at nature as an intrinsic good or as an instrument for physical comfort? How does establishing a definition of nature affect how we think and act in relation to it?) During the semester, we will read works of writers who have taken nature as their primary subject and/or theme. Although nature writing goes back to the earliest written words in all cultures, we will limit our examination of the topic, beginning with American writings of the mid-19th and move through to contemporary times.
Readings
Ralph Waldo Emerson's Nature
Edgar Allan Poe's Narrative of Arthur Gordon Pym
Henry David Thoreau's Walden
Herman Melville’s “Bartleby the Scrivener”
Rebecca Harding Davis's “Life in the Iron Mills”
Kate Chopin’s “The Story of an Hour”
John Borroughs’ "Phases of Farm Life"
John Muir’s "My First Summer in the Sierra"
Aldo Leopold’s “The Land Ethic”
Charles Chesnutt's "The Goophered Grapevine"
Charles Chesnutt's "Po' Sandy"
Stephen Crane’s “The Open Boat”
Sarah Orne Jewett’s “A White Heron”
Wallace Stevens’ “The Snow Man”
Wendell Berry’s “A Timbered Choir”
Gary Snyder’s “this poem is for deer”
Gary Snyder’s “John Muir on Mt. Ritter:”
Mary Oliver’s “At Great Pond”
Mary Oliver’s “Morning Poem”
Michael Pollan’s “Weed It and Reap”
Verlyn Klinkenborg’s “The 17 Percent Problem and the Perils of Domestication”
Peter Matthiessen’s “Big Oil and the Whales”
Verlyn Klinkenborg’s “Come and Gone”
Donna Haraway’s “A Cyborg Manifesto” |