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In the music
KARL SHAPIRO'S poem "The Piano Tuner's Wife" from The Wild Card: Selected Poems, Early and Late (Univ. of Illinois Press - 1998) was the inspiration for this prompt.
You hear something in the
music. Maybe you're playing the instrument, or singing, listening to a band,
or a CD. But you hear something that you never heard before; perhaps, something
no one has heard before. Personal associations abound for people hearing a particular
song. Write a poem about what
you hear in the music that no one else is hearing.
IT ISN'T A CANTATA DAZZLED Tracing shadows on your face,
BLAKE'S MUSIC
Unheard music in the heart The freedom in my fingers
UNDERSTANDING MODERN MUSIC
There has to be a thread somewhere and fiery concert-banners share ?
to save the cloth from wear and tear
- the mantles we had thought so fair,
its strings still weaving through
the air The codes of music in their hair
LIP GLOSS
The house is empty. please.
'tis not that easy a thing i swear,
RAY CUTSHAW
I HEAR YOU I hear you in all the songs today. I find myself humming you in the
shower, The song comes to me from outside SWEET MELODY
The young man I listened. Tried to close I knelt my head Fermata Now that we have played it through, Fermata, a blessed rest, sustaining the silence beyond firmare, made solid somehow. Tonight, I sleep drugged dreamless feria, a day of rest. MUSIC ELLEN KAPLAN
What is "the one work of art without content," that Shapiro
is talking about? The music - or the poem? Are
we tuning our poems as we listen to the music? Do we sometimes hear an arpeggio,
a theme? Do you hear the music
in something most of us would not typically describe as musical (music of the
spheres)?
It isn't a cantata
to anyone but me:
The wailing of a train
combined with nature's poetry.
A burst of bass is followed
by roiling beads of hail.
That crystal chime contrasted by
the rustling of a quail.
A rasp of wind nearby
comes whistling down the lane
providing for my senses a
remarkable refrain.
In layer upon layer
melodious and mild
I find the steadfast
train combining
quartets with the wild.
L. M. WOLF
my hand races blindly ahead
of common sense amidst
Mozart's strings,
I hear the faint flicker of candlelight.
No stranger to genius, his music
spurs me on to risks never imagined,
risks like proclaiming a love for you
so strong my voice catches
in my throat mid song, orchestrating
a crescendo of candle dances,
lighting love's path as softly
as a newborn's kiss, and sweeter still.
The wine and secrets we share long
into the night's ambiance arouse
more than mutual passion,
we applaud the candles' minuet on
the golden oak mantel,
we appear to be puppets on Mozart's strings,
dangling and dazzled.
Measures distance from the soul.
You see me as one, but I am part
Character choosing a role.
Says practice plays surprise.
When trying to hear, the mind lingers
While truth's major chords dies.
that sews the fabric into one.
How else can each of us still wear
From linen, wool, or cotton spun
There has to be a thread somewhere
and the patterns finely done !
How else can we old ones still wear
that fluttered through our dance in fun ?
There has to be a thread somewhere -
while catching color from the sun.
How else can everyone still wear
and rhythmic garlands dearly won ?
What else can everyone still wear ?
There has to be a thread somewhere !
No one lives here anymore.
Candles around the bathtub
wait for some suicidal flower,
maybe a girl named Lily,
her petal-palms padding pink water.
An ache of longing lingers, hovers
near the ceiling like a closet shadow.
Look at you. Poetry sliding from your mouth
as naturally as lips glossed with a wet tongue.
How do you do that? The lost memory
of an R. E. M. song plays in the hallway at the top of the stairs,
unaware it's a razored memory, and not allowed there.
The stereo is quiet,
forbidding,
fingers to its AC/DC teeth
like a square brown mother shushing a child.
But go now. There's nothing to see here.
All that was is hidden in the paintings nailed along cracked walls,
invisible to the naked. There's nothing to see. Go,
but first tell me how you do that,
GUITAR LOVER
to sit here, night after night
playing for you.
your indifference, half hidden
through the cigarette smoke
curling there round your face,
like the icy fingers of jealous rage
clawing at my stomach.
jealous,me? yes, that i seem unable to please you,
nor feed your eternal hunger.
still your desire seems nothing more than passing fancy,
to tease me
so is more than a lover should bear.
as i press calloused fingertip
to a fret
you care not that the note rings true
nor that melody moves me.
yet i am born to this and
you are master, i the servant.
even now as i softly stroke your neck,
my hand on your body,
i can sense the change, the strain of the wire,
that becomes
the tension in your voice.
As i hold you close to me.
it will be another long night.
Each lyric written for you or me,
for us, by you or me, by us.
The music you gave me, of course,
but now you have worked your way
into my own music, the songs on the radio,
a tune I can't get out of my head.
my hand pulling up to my belly,
over and round and up my neck,
resting on my cheek.
I try standing long under the warm
hoping to wash it away.
through an open window as I make
my small supper alone and I close the window
so as not to have to share what little food
I have with a ghost.
Played his violin
In the courtyard below.
There was longing and laughter,
Gondolas on moonlit waters,
Red hibiscus in hair,
Long skirts in sunshine,
Chocolate and coffee
All in his melody.
My eyes misting over
A smile on my lips
As my gnarled fingers
The buttons on my waistcoat.
Oh Rosalind!
Of the round hips
and sweet lips,
The Nectar of Life.
Against the window pane
The lace curtains
Caressed my face
And I thought of her
As the sweet strings
Played my life
over and over again.
the final line of this movement,
notes chorded into a tapestry,
six tones for a moment are one.
what we might once have done.
We take in breath, close eyes.
The absence is itself a sound,
and tomorrow I will awake to nothing,
a blank sheet of writing paper,
its beautiful emptiness taking me into
Hear the music of the voices speaking different tongues.
The crowded E-train from Queens disgorges its passengers at its first Manhattan
stop.
The Spanish from Mexico, Columbia, and Puerto Rico, the German, Russian, Polish,
English and occasional Greek that had been quietly spoken has become silent
The crowds stream onto the platform to the sound of music:beating African drums,
Forties dance music played by a trombone backed by a tape,
and a baritone accompanying his aria with an electric piano.
In the music I hear the rubbing of shoulders, the joining of purpose.
I hear too a memory of many delicious dinners eaten in the Queens from which
I have come.