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Posthumous
by Jean Nordhaus

Would it surprise you to learn
that years beyond your longest winter
you still get letters from your bank, your old
philanthropies, cold flakes drifting
through the mail-slot with your name?
Though it's been a long time since your face
interrupted the light in my door-frame,
and the last tremblings of your voice
have drained from my telephone wire,
from the lists of the likely, your name
is not missing. It circles in the shadow-world
of the machines, a wind-blown ghost. For generosity
will be exalted, and good credit
outlasts death. Caribbean cruises, recipes,
low-interest loans. For you who asked
so much of life, who lived acutely
even in duress, the brimming world
awaits your signature. Cancer and heart disease
are still counting on you for a cure.
B'nai Brith numbers you among the blessed.
They miss you. They want you back.

typing prompt

An epistle is a letter in verse, usually addressed to a person close to the writer. They are sometimes moral and philosophical, or intimate and sentimental. It was most popular in the 18th century, but has continued to be used by poets. Alexander Pope's "Epistle to Dr. Arbuthnot" is an example of this classic form.

Lord Byron and Robert Browning composed epistles in the 19th century. One of Byron’s is the “Epistle to Augusta,” written to his sister.

But the epistle is an ancient Roman poetic form. You might associate it with the epistles that are commonly found in the Bible, especially the New Testament.

Epistolary poems, from the Latin “epistula” for “letter," are poems that read as letters. They are poems of direct address. They are free verse, without rhyme scheme or line length considerations. They are addressed to real people, imagined people, groups of people and even to things and abstract concepts.

But poets like to break rules.  Elizabeth Bishop’s "Letter to N.Y.," uses rhyming quatrains. It begins:

In your next letter I wish you’d say
where you are going and what you are doing;
how are the plays, and after the plays
what other pleasures you’re pursuing:

taking cabs in the middle of the night,
driving as if to save your soul
where the road goes round and round the park
and the meter glares like a moral owl

In the past two centuries, the epistle is generally less formal and more conversational. An example is “Dear Mr. Fanelli” by Charles Bernstein.

In Hayden Carruth’s “The Afterlife: Letter to Sam Hamill,”  he addresses his epistle to a fellow poet and translator who was a friend to Carruth. Is Sam dead? Can we construct a person from our imagination?

The poem I chose this month as a model is by Jean Nordhaus. When I first read it, I immediately thought of the mail that I still receive at my home for both my mother and father, both of whom have died - my father a long time ago; my mother more recently.

Her poem, "Posthumous," begins:

Would it surprise you to learn
that years beyond your longest winter
you still get letters from your bank, your old
philanthropies, cold flakes drifting
through the mail-slot with your name?

There are many other epistles old and new to consider as examples, including "The Correspondence-School Instructor Says Goodbye to His Poetry Students" by Galway Kinnell.

Deadline for submissions: June 30, 2019

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